Dolby Noise Reduction: A brief history of the Compact Cassette

When the cassette tape was first introduced in the early 1960s it did not pretend to be a high-quality format. It was actually developed as a convenient format for voice recording, especially for secretarial work.

In 1970, the arrival of noise reduction for cassettes changed the course of the medium. Dolby B-type both reduced tape hiss significantly and spurred many basic improvements in cassette transports, electronics and tape formulations. Soon the cassette was sounding as good as the LP records of the day and it went on to become an extremely popular and widespread medium for recorded music — one which, even today, continues to provide an unmatched combination of affordable costs, portability, playback versatility and recording capability.

As listeners' expectations for high-quality playback grew, various improvements on the original Dolby B-type system arose to the challenge. Dolby C-type and S-type noise reduction systems apply the same principles to even more dramatically reduce tape hiss and enhancements like Dolby HX Pro headroom extension improve the quality still further.

Dolby B-type Noise Reduction

Dolby B-type noise reduction is the original Dolby system designed for consumer tape recorders. It is included in all but the least expensive cassette machines today and is used in the preparation of the vast majority of pre-recorded cassettes. It is also incorporated in many stereo VHS videocassette recorded to improve their (mono) linear audio tracks and, in a modified form, in Dolby Surround decoders. Dolby B-type provides 10 dB of noise reduction at the higher frequencies where tape hiss predominates.

Dolby C-type Noise Reduction

Dolby C-type noise reduction was developed to improve the cassette medium still further by providing twice the tape hiss reduction (20 dB) of Dolby B-type. It is offered along with Dolby B-type in a variety of mid-range and premium cassette decks and players. Dolby C-type is also used in many professional VCRs.

Dolby S-type Noise Reduction

Introduced in 1990, Dolby S-type is based upon the principles of the professional Dolby SR (Spectral Recording) process. It not only provides still more tape hiss reduction (24 dB), but also reduces low-frequency noise by 10 dB. Thus, it permits recording high-level signals at the frequency extremes more accurately and cleanly. In listening tests it compares very favourably with CD recordings, with most listeners judging the quality of Dolby S-type encoded tapes as comparable with or in some cases superior to the playback quality of the CD. Dolby S-type is still steadily gaining momentum and is being incorporated first in state-of-the-art decks for the most discerning listeners.

Dolby HX Pro

Not a noise reduction system, Dolby HX Pro makes it possible to record loud musical passages with fewer high-frequency losses and less distortion. It is available in better cassette decks and is also widely used by the recording industry to improve the quality of pre-recorded cassettes through its process of reducing the effects of tape saturation. As no encoding of the signal takes place, no playback decoding circuitry is required to realize the benefits of Dolby HX Pro.

Dolby Headphone Stereo is a new, powerful, digital signal processing system that was developed in 2002 to recreate the sound from each audio channel as if it were being played back from a speaker placed in an acoustically-designed room. In effect, Dolby Headphone Stereo creates virtual loudspeakers in a virtual room. The result is much more dynamic, listening experience: a more natural way of listening to music. Dolby Headphone has the technology to offer three impressive 'Listening rooms' which are controlled from the main unit or the in-line remote control they offer. These are:

The Studio: replicates the music played in a small acoustically-damped room, giving perfect sound

Live: recreates a more open live sound as if you were listening to your favourite band on tour

Dome: gives the impression of hearing music in a Large concert hall. Without having to be there